Shopping on line can be easy, simple and save you lots of money. It can also take a lot of your time, frustrate you, and result in unwanted purchases. Now the same can be said for regular high street shopping, but with the vast opportunity presented by the Internet it will pay you to spend a few minutes reading this and understanding how to better optimize your Vespa shopping experience:

1. Compare - without doubt the biggest advantage that the Vespa offers shoppers today is the ability to compare thousands of Vespa at a time. This is a great thing, but not necessarily all the time! Too much can be daunting at times so take advantage of the great comparison sites and where possible let them do the hard work for you.

2. Research - if it has been said it will be on the internet. Ignorance is no longer a justifiable reason for buying the wrong thing. Take the time to research in detail everything that you could possible want to know about

3. Testimonials - don't know anybody that has bought a Vespa? Wrong! If the Vespa is good the internet will let you know. Use the Internet as a friend and get testimonials before you buy.

4. Questions - Got a question about Vespa then search the Forums, FAQ's, Blogs etc. Don't be afraid to ask .....

5. Reputation - Never heard of the company selling Vespa? Don't worry, no reason why you should know every company in the world, but you know someone that does! Use the internet to find out what people are saying about Vespa and build up a picture of their reputation for sales, returns, customer service, delivery etc.

6. Returns - still worried that even after all of the above your Vespa wont be what you want? Check out the returns policy. There is so much competition now that someone, somewhere is bound to offer the terms that you are comfortable with.

7. Feedback - happy with your Vespa then let people know, after all you are depending on others people input in your buying decision, so why not give a little back.

8. Security - check for the yellow padlock on the Vespa site before you buy, and the s after http:/ /i.e. https:// = a secure site

9. Contact - got a question about Vespa, or want to leave a comment then check out the sites contact page. Reputable companies have them and respond.

10. Payment - ready to pay for your Vespa, then use your credit card or PayPal! Be aware of companies that don't accept them, there may be genuine reasons but given the huge amount of choice you have when buying online there is no reason at all not to buy via credit card or PayPal.



{{Infobox_Company|company_name = Vespa |company_logo = ] |company_type = [Subsidiary |slogan = "Not just a scooter, a way of life" |founder = |foundation = 1946 |location_city = {{flagicon|Italy--> [Pontedera |location_country = [Italy |key_people = |num_employees = |industry = [Scooter (motorcycle) |products = |revenue = |parent = [Piaggio |owner = |net_income = |homepage = http://www.vespa.com/ www.vespa.com -->The Vespa is a line of scooter (motorcycle)s that was first manufactured in Pontedera, Italy in 1946 by Piaggio

Piaggio continues to manufacture the Vespa today, although the Vespa was much more widely used in the 1950s and 1960s,Silvana Annicchiarico, Tommaso Fanfani, Gaia Milani - An Italian Journey by Vespa (Permanent Collection of Italian Design) - Charta (1 Mar 2006), ISBN 8-8815-8589-8 when it also became the adopted vehicle of choice for the United Kingdom youth-culture known as Mod (lifestyle).Paolo Hewitt with Paul Weller - The Soul Stylists: Six Decades of Modernism - from Mods to Casuals - Mainstream Publishing, ISBN 1-8401-8596-1 The classic Vespas had unibody chassis pressed from sheets of steel, with bodywork covering the legs for protection from rain and mud. The direct drive engine was covered completely by a steel cowling, which in contrast to motorcycles, concealed the mechanicals (along with any dirt or grease) while also providing wind protection.

Piaggio developed the first globally successful scooter with the Vespa, revolutionizing the two-wheel industry with a design which continues to influence the scooter industry today. Design in ITaly ENIT - Italian Government Toursist Board

History Post World War II Italy, in light of its agreement to cessation of war activities with The Allies, had its aircraft industry severely restricted in both capability and capacity.

Piaggio emerged from the conflict with its Pontedera fighter plane plant completely demolished by bombing. Italy's crippled economy and the disastrous state of the roads did not assist in the re-development of the automobile markets. Enrico Piaggio, the son of Piaggio's founder Rinaldo Piaggio, decided to leave the aeronautical field in order to address Italy's urgent need for a modern and affordable mode of transportation. The idea was to design a cheap vehicle for the masses.

Concept The main stimulus for the design style of the Vespa dates back to Pre-WWII Cushman scooters made in Nebraska, USA. These olive green scooters were in Italy in large numbers, ordered originally by Washington as field transport for the Paratrooper and Marines. The US military had used them to get around Nazi defence tactics of Battle of Monte Cassino in the Dolomites (a section of the Alps) and the Austrian border areas.

Aerospace engineering Corradino D'Ascanio, responsible for the design and construction of the first modern helicopter by Agusta, was given the job of designing a simple, robust and affordable vehicle for Enrico Piaggio. The vehicle had to be easy to drive for both men and women, be able to carry a passenger, and not get its driver's clothes dirty.

The product D'Ascanio, who hated motorbikes, designed a revolutionary vehicle. It was built on a spar-frame with a handlebar gear change, and the engine mounted directly on to the rear wheel. The front protection "shield" kept the rider dry and clean in comparison to the open front end on motorcycles. The pass-through leg area design was geared towards all user groups, including women, as wearing dresses or skirts made riding a motorcycle a challenge. The front fork, like an aircraft's landing gear, allowed for easy wheel changing. The internal mesh transmission eliminated the standard motorcycle chain, a source of oil, dirt, and aesthetic misery.This basic design allowed a series of features to be deployed on the frame, which would later allow quick development of new models. The original Vespa featured a rear pillion seat for a passenger, or optionally a storage compartment. The original front protection "shield" was a flat piece of aero metal; later this developed in to a twin skin to allow additional storage on the 'back of'/behind the front shield, similar to the glove compartment in a car. The fuel cap was located underneath the (hinged) seat, which saved the cost of an additional lock on the fuel cap or need for additional metal work on the smooth skin.

The scooter had rigid rear suspension and small 8-inch wheels that allowed a compact design and plenty of room for the rider's legs. The Vespa's enclosed, horizontally-mounted Two-stroke cycle 98cc engine acted directly on the rear drive wheel through a three-speed transmission. The twistgrip-controlled gear change involved a system of rods. The early engine had no cooling, but fan blades were soon attached to the flywheel (otherwise known as the magneto, which houses the points and generates electricity for the bike and for the engine's spark) to push air over the cylinder's cooling fins. The modern Vespa engine is still cooled this way. The mixture of two-stroke oil in the fuel produced high amounts of smoke, and the engine made a high buzzing sound like a wasp.

The name Vespa "Sembra una vespa!" ("It reminds me of a wasp!") exclaimed president Enrico Piaggio when he first laid eyes on what would become the most successful scooter of all time. The name stuckhttp://www.thecarconnection.com/Shoppers/Drivers_News/Vespa_City-Mobile_Italian_Style.S241.A6647.html.

Vespa is both Latin and Italian language for wasp—derived from both the high-pitched noise of the two-stroke engine, and adopted as a name for the vehicle in reference to its body shape: the thicker rear part connected to the front part by a narrow waist, and the steering rod resembled antenna (biology).

Ape (pronounced Ah-pay), is Italian language for bee. This was the three-wheeled variant used for commercial purposes, including the popular auto rickshaw.

Launch Piaggio filed a patent for the Vespa scooter design in April 1946. The application documents referred to a "model of a practical nature" for a "motorcycle with rationally placed parts and elements with a frame combining with mudguards and engine-cowling covering all working parts", of which "the whole constitutes a rational, comfortable motorcycle offering protection from mud and dust without jeopardizing requirements of appearance and elegance". The patent was approved the following December.

The first 13 examples appeared in spring 1946, and reveal their aeronautical background. In the first examples, one can recognize the typical aircraft technology. Attention to aerodynamics is evident in all the design, in particular on the tail. It was also one of the first vehicles to use monocoque construction (where the body is an integral part of the chassis).

The company was aiming to manufacture the new Vespa in large numbers, and their longstanding industrial experience led to an efficient Ford Motor Company volume production line. The scooter was presented to the press at Rome Golf Club, where journalists were apparently mystified by the strange, pastel coloured, toy-like object on display. But the road tests were encouraging, and even with no rear suspension the machine was more manoeuvrable and comfortable to ride than a traditional motorcycle.

Following its public debut at the 1946 Milan Fair, the first fifty sold slowly—then with the introduction of payment by installments, sales took off.

Sales and development Piaggio sold some 2,500 Vespas in 1947, over 10,000 in 1948, 20,000 in 1949, and over 60,000 in 1950http://www.patricktaylor.com/vespa-scooter.

The biggest sales promo ever was Hollywood. In 1952, Audrey Hepburn side-saddled Gregory Peck's Vespa in the film Roman Holiday (1953 film) for a ride through Rome, resulting in over 100,000 sales. In 1956, John Wayne dismounted his horse in favor of the two-wheeler to originally get between takes on sets. By the end of the fifties, Lucia Bosé and her husband, the matador Dominguin, as well as Marlon Brando, Dean Martin, and the entertainer Abbe Lane had become Vespa owners. William Wyler filmed Ben-Hur (1959 film) in Rome in 1959, allowing Charlton Heston to abandon horse and chariot between takes to take a spin on the Vespahttp://www.dolcevita.com/design/vespa/vespa.htm.

Vespa clubs popped up throughout Europe, and by 1952, worldwide Vespa Club membership had surpassed 50,000. By the mid-1950s, Vespas were being manufactured under licence in Germany, the United Kingdom, France, Belgium and Spain; in the 1960s, production was started in India, Brazil and Indonesia. By 1956, one million had been sold, then two million by 1960. By the 1960s, the Vespa—originally conceived as a utility vehicle—had come to symbolize freedom and imagination, and resulted in further sales boosts: four million by 1970, and ten million by the late 1980s. Between 1957 and 1961 a reverse-engineered and partially redesigned version of the Vespa was made in USSR under the name Vjatka-VP150http://www.autosoviet.altervista.org/ENGLISH-automotorusse9moto(Vyatka).htm

Improvements were made to the original design and new models were introduced. The 1948 Vespa 125 had rear suspension and a bigger engine. The headlamp was moved up to the handlebars in 1953, and had more engine power and a restyled rear fairing. A cheaper spartan version was also available. One of the best-loved models was the Vespa 150 GS introduced in 1955 with a 150cc engine, a long saddle, and the faired handlebar-headlamp unit. Then came the 50cc of 1963, and in 1968 Vespa 125 Primavera became one of the most durable of all.



Vespas came in two sizes, referred to as "largeframe" and "smallframe". The smallframe scooters came in 50cc, 90cc, 100cc, and 125cc versions, all using an engine derived from the 50cc model of 1963, and the largeframe scooters in 125cc,150cc,160cc,180cc and 200cc displacements using engines derived from the redesigned 125cc engine from the late 50's.

The largeframe Vespa evolved into the PX range (still in production in 125 and 150cc versions - update Piagio just stopped production July 2007) in the late 70's, while the smallframe evolved into the PK range in the early 80's although some vintage-styled smallframes were produced for the Japanese market as late as the mid 90's.

The 1990s and beyond By the early 1990s, Vespa was in crisis. Its models were selling slowly (in 1992 Piaggio sold just 800 unitshttp://oversteermagazine.co.uk/archive/january_2006/issue/index2160.html?module=displaystory&story_id=643&format=html), two-strokes were being withdrawn around the world due to environmental concerns, new Asian manufacturers were stealing market share with cheaper/lighter bikes, and cars were very cheap. As a result, sales had fallen and production in Europe had been pulled back to Italy. Vespa needed a miracle—and a new model, beyond the PX.

The ET model range stuck true to the wasp/aero design principles. It was lighter, more aerodynamic, had an automatic gearbox and could take a series of engines from a 50cc in either Two-stroke cycle or four-stroke cycle, up to a 150cc four strokehttp://www.motorcycle.com/mo/mcvespa/et2.html. Plus, it was launched when traffic congestion in major European cities was on the increase, so the smaller wheel size didn't matter. It was a complete success, and allowed Vespa to re-enter the North American market in 2001 with a new, more modern style.

When Vespa celebrated its 50th anniversary in 1996, more than 15 million of the scooters had been sold worldwide, making it the most successful scooter of all time. Other companies vied with Piaggio for market share, but none came close to emulating the success—or romance—of Vespa. The nostalgic image of Vespa, however, could not hide the fact that Vespa was making a loss.

Under new ownership In 2003, the company found itself close to bankruptcy. Continual management changes and millions spent on many different plans and products had saddled Piaggio with crushing debts and left it vulnerable to competition from cheaper Asian rivals.

In 1959, Piaggio came under the control of the Agnelli family, the owners of car maker Fiat. Vespa thrived until 1992 when Giovanni Alberto Agnelli became CEO, but Agnelli was already suffering from cancer, and died in 1997. In 1999, Morgan Grenfell acquired Piaggio, but a quickly hoped-for sale was dashed by a failed joint venture in China.

Then came Roberto Colaninno: A lot of people told me I was crazy. Piaggio wasn't dying. It just needed to be treated better. Piaggio's finances were in a bad shape, but its brand was still well-known and its products were featuring in more Hollywood films thanks to the Vespa ET4. In October 2003, Colaninno made an initial investment of 100 million euros through his holding company Immsi SpA in exchange for just under a third of Piaggio and the mandate to run it. Chief executive Rocco Sabelli, redesigned the factory to Japanese principles, and redesigned the factory so that every Piaggio scooter could be made on any assembly line.

Colaninno laid down some rules, and made quick changes: he didn't fire a single worker—a move which helped seduce the company's skeptical unions; all bonuses for blue-collar workers and management were based on the same criteria: profit margins and customer satisfaction. Air conditioning was installed in the factory, and he gave the company's engineers, who had been idled by the company's financial crisis, deadlines for projects. They rolled out two world firsts in 2004: a gas-electric hybrid scooter and a scooter with two wheels in front and one in back which grips the road better.

One of Piaggio's problems Mr. Colaninno couldn't fix from the inside was its scale. Even though Piaggio was the European market leader, it was dwarfed by rivals Honda and Yamaha Motor Company. A year after rescuing Piaggio, Colaninno decided to salvage another Italian brand: scooter and motorcycle maker Aprilia. On July 11, 2006, shares of Piaggio & Co., became available to the general public through listing on the Milan Stock Exchange or Borsa Italiana. Piaggio share prices, converted to US Dollars, may be found under the trading symbol: PIAGF.

Re-entry to North America

Piaggio first came back into the market in 2001 w/ the ET2 (two stroke 50cc) and ET4 (four stroke 150cc). In 2004, the PX (model year 2005) was re-introduced to North America to meet classic market demand. Growth in the US market and worldwide environmental concerns meant the need for larger and cleaner engines, so Vespa developed the LEADER (Low Emissions ADvanced Engine Range) series of four stroke engines. The larger Granturismo frame, with larger 12 inch wheels, was introduced to handle the additional power. The bike in 2006 spawned a GT250ie version, with an upgraded suspension and the new QUASAR (QUarter-liter Smooth Augmented Range) 250cc fuel injected engine, capable of 80+ MPH. In 2005, the ET was withdrawn from Europe and North America and replaced by a new small-frame scooter, the LX range. These were available in the USA in 50cc and 150cc versions, while Europeans could choose a 125cc.

Design Icon With its elegant lines and classic aesthetics, the Vespa is recognized as the epitome of Italian design. There is a dramatic increase in the number of urban commuters who have purchased new or restored Vespas. The difficulty of parking cars and the Vespa's low running costs are two reasons for this upswing in Vespa (and other scooter) popularity. The cultural use of the scooter as a recreational vehicle with a sub-culture following in the USA/Canada and parts of Europe & Japan. In contrast, the Vespa is considered a utilitarian vehicle for hauling products and sometimes up to 5 family members in much of Asia and Mexico

Vespa enthusiasts can visit the comprehensive Piaggio Museum & Gift Shop adjacent to the plant in central Pontedera, near Pisa, Tuscany. The permanent exhibition includes those items which toured prestigious venues such as the Guggenheim in New York and the Centre Pompidou in Paris. Also on display is, perhaps, the most famous Vespa of them all - the one personally customised by Salvador Dalí in 1962.

Global Markets Europe Vespa's largest market by all measures globally is still Italy, but as a result of the Mod (lifestyle) youth revolution of the 1960s, the United Kingdom is still Vespa's second largest global market - and at one point in the 1960s, its largest.

The appeal of the Vespa to the style conscious Mods was the weather protection - as opposed to their counterparts the Rockers, who rode classic British oily twins like Triumph Bonneville and Birmingham Small Arms Companys, and needed to dress up in leather against both the elements and their oily bikes.

Mods would modify their Vespas, adding lights, mascots, accessories, various racks and crash bars (profusions of mirrors were NOT a 60's fashion it became one after the realease of the quadrophenia album and film which featured scooters customised this way in the 70's). The whole phenomenon was dramatised with varying degrees of accuracy in Quadrophenia (film),the film based on The Who album of the same name.

The dominance of the Vespa declined through the 1970s, as small car ownership increased and cheap and reliable commuter bikes like the Honda Super Cub hit sales. Despite the introduction of the more modern 'P' range in the 70's however, the lack of development cost Vespa, and like other markets the sales fell off drastically in the economic boom 1980s. Then Vespa introduced the trendy automatic ET2, London introduced the London congestion charge - and partly with celebrity chef Jamie Oliver's indirect help from his BBC2 series - sales suddenly leapt. Vespa - it still has that buzz Sunday Times - March 13, 2005

North America Much as Vespa had used the Cushman Army scooter as inspiration for its original design, Vespa in turn also made scooters for Sears and Cushman post World War IIhttp://www.bulletproofscooters.com/pics/vs5.htm.

Imported by Morton Colby of the LLM Group , the Sears models were 3 and 4 speed 125 cc Vespas rebadged as Sears Allstate Cruiseaires. Innocenti also distributed their Lambretta (company) brand via Montgomery Wards catalogue at this post WWII period. These were the premier brands of scooters, bringing premium pricing to many, including farmers, whose link to the outside world was via purchases made in these catalogues. Cushman sold rebadged Vespa scooters as Cushmans, but many Cushman dealers refused to market a "foreign" machine. However, collectors prize the Cushman Vespa because it is relatively rare.

Bankruptcy of Vespa's American importer due to two expensive product liability lawsuits and increased competition from Japanese manufacturers caused a withdrawal from the US market in 1986.

Vespas would have completely disappeared from the American scene if it weren't for the enthusiasts who kept the vintage scooters on the road by rebuilding, restoring, and adding performance enhancing engine parts as the stock parts would wear out.

Vespa returned to the US market in 2001 with a new, more modern style ET series, in 50cc two and four stroke, and 150cc four stroke. According to the Motorcycle Industry Council, U.S. scooter sales increased fivefold over six years, swelling from 12,000 units in 1997 to 69,000 units in 2002. Vespa sales in the U.S. increased 27 percent between 2001 and 2002. The 65 "Vespa Boutiques" scattered throughout the U.S. gave scooterists a place to buy, service, and customize Vespa scooters, and outfit themselves in everything from Vespa watches and helmets to Vespa jackets, T-shirts, and sunglasses. Vespa restarted its American sales effort, opening its first boutique on Ventura Boulevard in Sherman Oaks, Calif.

In light of vastly increasing US sales, Vespa developed the GT, offered 200cc four stroke and a 125cc variant in Europe. In 2004 Vespa reintroduced a modernized PX 150 to the US. In the fall of 2005, Piaggio offered their largest Vespa scooter model ever, the 250cc engined GTS250 available in Europe with ABS.

Rest of world : Vespa in transport businessVespas acquired popularity beyond Europe and North America. In India, Piaggio transferred Vespa technology to Bajaj Auto. Bajaj used to sell in North America in the early 1980s but later withdrew from the market due to litigation threats from Piaggio.

Another Vespa clone producer in India was LML Motors. They were a large Piaggio parts provider and licensed to manufacture for the P series of Vespa scooters to the Asian markets. LML had manufactured a range of Vespa P series clones using their Piaggo/Vespa molds and machinery. Production of LML scooters has ceased after worker strikes and discontent at the LML factory progressed to a management lockout on March 7, 2006.

Racing In the 1950s and early 1960s, Vespa and Lambretta scooters were raced competitively against motorcycles, often winning the races. In the mid 1960s, motorcycle engines became larger and faster, and a gap was created — along with varying cc classifications. Since the 1980s, Vespa and Lambretta racing has grown into a serious sport in the United States. There are various classes in the United States, depending on the racing association. They are generally:

Vespas in popular culture Famous Vespa riders This is a list of famous people who have owned or ridden Vespas (not just for career or publicity purposes).



Fictional characters with Vespas and Audrey Hepburn in Roman Holiday (1953 film)..The first fictional character highly associated with Vespa to have mass public attention was American newspaper reporter Joe Bradley (Gregory Peck), in the Hollywood film Roman Holiday (1953 film). Arguably, the original attention was for Audrey Hepburn's character who as a passenger rode in Italian side-saddle style. The Vespa featured highly in publicity for the film, and in the original poster, assisting greatly in marketing of the brand globally.

Other fictional Vespa riders have included:



Films This is a list of films that feature a Vespa for more than one sequencehttp://www.vespamiami.com/vespa_history.shtmlhttp://vintagescooters.free.fr/english/movies1.htm:



Vespa Models There have been 138 different versions of the Vespa - today there are just four models in production: the classic, manual transmission PX; and the modern Continuously variable transmission LX, GT, and GTS.



Historic models

Recent models

Current models



Specials One-offs and special machines:

See also

References External links





Enthusiast sites

Scooter racing sites



{{Infobox_Company|company_name = Vespa |company_logo = ] |company_type = [Subsidiary |slogan = "Not just a scooter, a way of life" |founder = |foundation = 1946 |location_city = {{flagicon|Italy--> [Pontedera |location_country = [Italy |key_people = |num_employees = |industry = [Scooter (motorcycle) |products = |revenue = |parent = [Piaggio |owner = |net_income = |homepage = http://www.vespa.com/ www.vespa.com -->The Vespa is a line of scooter (motorcycle)s that was first manufactured in Pontedera, Italy in 1946 by Piaggio

Piaggio continues to manufacture the Vespa today, although the Vespa was much more widely used in the 1950s and 1960s,Silvana Annicchiarico, Tommaso Fanfani, Gaia Milani - An Italian Journey by Vespa (Permanent Collection of Italian Design) - Charta (1 Mar 2006), ISBN 8-8815-8589-8 when it also became the adopted vehicle of choice for the United Kingdom youth-culture known as Mod (lifestyle).Paolo Hewitt with Paul Weller - The Soul Stylists: Six Decades of Modernism - from Mods to Casuals - Mainstream Publishing, ISBN 1-8401-8596-1 The classic Vespas had unibody chassis pressed from sheets of steel, with bodywork covering the legs for protection from rain and mud. The direct drive engine was covered completely by a steel cowling, which in contrast to motorcycles, concealed the mechanicals (along with any dirt or grease) while also providing wind protection.

Piaggio developed the first globally successful scooter with the Vespa, revolutionizing the two-wheel industry with a design which continues to influence the scooter industry today. Design in ITaly ENIT - Italian Government Toursist Board

History Post World War II Italy, in light of its agreement to cessation of war activities with The Allies, had its aircraft industry severely restricted in both capability and capacity.

Piaggio emerged from the conflict with its Pontedera fighter plane plant completely demolished by bombing. Italy's crippled economy and the disastrous state of the roads did not assist in the re-development of the automobile markets. Enrico Piaggio, the son of Piaggio's founder Rinaldo Piaggio, decided to leave the aeronautical field in order to address Italy's urgent need for a modern and affordable mode of transportation. The idea was to design a cheap vehicle for the masses.

Concept The main stimulus for the design style of the Vespa dates back to Pre-WWII Cushman scooters made in Nebraska, USA. These olive green scooters were in Italy in large numbers, ordered originally by Washington as field transport for the Paratrooper and Marines. The US military had used them to get around Nazi defence tactics of Battle of Monte Cassino in the Dolomites (a section of the Alps) and the Austrian border areas.

Aerospace engineering Corradino D'Ascanio, responsible for the design and construction of the first modern helicopter by Agusta, was given the job of designing a simple, robust and affordable vehicle for Enrico Piaggio. The vehicle had to be easy to drive for both men and women, be able to carry a passenger, and not get its driver's clothes dirty.

The product D'Ascanio, who hated motorbikes, designed a revolutionary vehicle. It was built on a spar-frame with a handlebar gear change, and the engine mounted directly on to the rear wheel. The front protection "shield" kept the rider dry and clean in comparison to the open front end on motorcycles. The pass-through leg area design was geared towards all user groups, including women, as wearing dresses or skirts made riding a motorcycle a challenge. The front fork, like an aircraft's landing gear, allowed for easy wheel changing. The internal mesh transmission eliminated the standard motorcycle chain, a source of oil, dirt, and aesthetic misery.This basic design allowed a series of features to be deployed on the frame, which would later allow quick development of new models. The original Vespa featured a rear pillion seat for a passenger, or optionally a storage compartment. The original front protection "shield" was a flat piece of aero metal; later this developed in to a twin skin to allow additional storage on the 'back of'/behind the front shield, similar to the glove compartment in a car. The fuel cap was located underneath the (hinged) seat, which saved the cost of an additional lock on the fuel cap or need for additional metal work on the smooth skin.

The scooter had rigid rear suspension and small 8-inch wheels that allowed a compact design and plenty of room for the rider's legs. The Vespa's enclosed, horizontally-mounted Two-stroke cycle 98cc engine acted directly on the rear drive wheel through a three-speed transmission. The twistgrip-controlled gear change involved a system of rods. The early engine had no cooling, but fan blades were soon attached to the flywheel (otherwise known as the magneto, which houses the points and generates electricity for the bike and for the engine's spark) to push air over the cylinder's cooling fins. The modern Vespa engine is still cooled this way. The mixture of two-stroke oil in the fuel produced high amounts of smoke, and the engine made a high buzzing sound like a wasp.

The name Vespa "Sembra una vespa!" ("It reminds me of a wasp!") exclaimed president Enrico Piaggio when he first laid eyes on what would become the most successful scooter of all time. The name stuckhttp://www.thecarconnection.com/Shoppers/Drivers_News/Vespa_City-Mobile_Italian_Style.S241.A6647.html.

Vespa is both Latin and Italian language for wasp—derived from both the high-pitched noise of the two-stroke engine, and adopted as a name for the vehicle in reference to its body shape: the thicker rear part connected to the front part by a narrow waist, and the steering rod resembled antenna (biology).

Ape (pronounced Ah-pay), is Italian language for bee. This was the three-wheeled variant used for commercial purposes, including the popular auto rickshaw.

Launch Piaggio filed a patent for the Vespa scooter design in April 1946. The application documents referred to a "model of a practical nature" for a "motorcycle with rationally placed parts and elements with a frame combining with mudguards and engine-cowling covering all working parts", of which "the whole constitutes a rational, comfortable motorcycle offering protection from mud and dust without jeopardizing requirements of appearance and elegance". The patent was approved the following December.

The first 13 examples appeared in spring 1946, and reveal their aeronautical background. In the first examples, one can recognize the typical aircraft technology. Attention to aerodynamics is evident in all the design, in particular on the tail. It was also one of the first vehicles to use monocoque construction (where the body is an integral part of the chassis).

The company was aiming to manufacture the new Vespa in large numbers, and their longstanding industrial experience led to an efficient Ford Motor Company volume production line. The scooter was presented to the press at Rome Golf Club, where journalists were apparently mystified by the strange, pastel coloured, toy-like object on display. But the road tests were encouraging, and even with no rear suspension the machine was more manoeuvrable and comfortable to ride than a traditional motorcycle.

Following its public debut at the 1946 Milan Fair, the first fifty sold slowly—then with the introduction of payment by installments, sales took off.

Sales and development Piaggio sold some 2,500 Vespas in 1947, over 10,000 in 1948, 20,000 in 1949, and over 60,000 in 1950http://www.patricktaylor.com/vespa-scooter.

The biggest sales promo ever was Hollywood. In 1952, Audrey Hepburn side-saddled Gregory Peck's Vespa in the film Roman Holiday (1953 film) for a ride through Rome, resulting in over 100,000 sales. In 1956, John Wayne dismounted his horse in favor of the two-wheeler to originally get between takes on sets. By the end of the fifties, Lucia Bosé and her husband, the matador Dominguin, as well as Marlon Brando, Dean Martin, and the entertainer Abbe Lane had become Vespa owners. William Wyler filmed Ben-Hur (1959 film) in Rome in 1959, allowing Charlton Heston to abandon horse and chariot between takes to take a spin on the Vespahttp://www.dolcevita.com/design/vespa/vespa.htm.

Vespa clubs popped up throughout Europe, and by 1952, worldwide Vespa Club membership had surpassed 50,000. By the mid-1950s, Vespas were being manufactured under licence in Germany, the United Kingdom, France, Belgium and Spain; in the 1960s, production was started in India, Brazil and Indonesia. By 1956, one million had been sold, then two million by 1960. By the 1960s, the Vespa—originally conceived as a utility vehicle—had come to symbolize freedom and imagination, and resulted in further sales boosts: four million by 1970, and ten million by the late 1980s. Between 1957 and 1961 a reverse-engineered and partially redesigned version of the Vespa was made in USSR under the name Vjatka-VP150http://www.autosoviet.altervista.org/ENGLISH-automotorusse9moto(Vyatka).htm

Improvements were made to the original design and new models were introduced. The 1948 Vespa 125 had rear suspension and a bigger engine. The headlamp was moved up to the handlebars in 1953, and had more engine power and a restyled rear fairing. A cheaper spartan version was also available. One of the best-loved models was the Vespa 150 GS introduced in 1955 with a 150cc engine, a long saddle, and the faired handlebar-headlamp unit. Then came the 50cc of 1963, and in 1968 Vespa 125 Primavera became one of the most durable of all.



Vespas came in two sizes, referred to as "largeframe" and "smallframe". The smallframe scooters came in 50cc, 90cc, 100cc, and 125cc versions, all using an engine derived from the 50cc model of 1963, and the largeframe scooters in 125cc,150cc,160cc,180cc and 200cc displacements using engines derived from the redesigned 125cc engine from the late 50's.

The largeframe Vespa evolved into the PX range (still in production in 125 and 150cc versions - update Piagio just stopped production July 2007) in the late 70's, while the smallframe evolved into the PK range in the early 80's although some vintage-styled smallframes were produced for the Japanese market as late as the mid 90's.

The 1990s and beyond By the early 1990s, Vespa was in crisis. Its models were selling slowly (in 1992 Piaggio sold just 800 unitshttp://oversteermagazine.co.uk/archive/january_2006/issue/index2160.html?module=displaystory&story_id=643&format=html), two-strokes were being withdrawn around the world due to environmental concerns, new Asian manufacturers were stealing market share with cheaper/lighter bikes, and cars were very cheap. As a result, sales had fallen and production in Europe had been pulled back to Italy. Vespa needed a miracle—and a new model, beyond the PX.

The ET model range stuck true to the wasp/aero design principles. It was lighter, more aerodynamic, had an automatic gearbox and could take a series of engines from a 50cc in either Two-stroke cycle or four-stroke cycle, up to a 150cc four strokehttp://www.motorcycle.com/mo/mcvespa/et2.html. Plus, it was launched when traffic congestion in major European cities was on the increase, so the smaller wheel size didn't matter. It was a complete success, and allowed Vespa to re-enter the North American market in 2001 with a new, more modern style.

When Vespa celebrated its 50th anniversary in 1996, more than 15 million of the scooters had been sold worldwide, making it the most successful scooter of all time. Other companies vied with Piaggio for market share, but none came close to emulating the success—or romance—of Vespa. The nostalgic image of Vespa, however, could not hide the fact that Vespa was making a loss.

Under new ownership In 2003, the company found itself close to bankruptcy. Continual management changes and millions spent on many different plans and products had saddled Piaggio with crushing debts and left it vulnerable to competition from cheaper Asian rivals.

In 1959, Piaggio came under the control of the Agnelli family, the owners of car maker Fiat. Vespa thrived until 1992 when Giovanni Alberto Agnelli became CEO, but Agnelli was already suffering from cancer, and died in 1997. In 1999, Morgan Grenfell acquired Piaggio, but a quickly hoped-for sale was dashed by a failed joint venture in China.

Then came Roberto Colaninno: A lot of people told me I was crazy. Piaggio wasn't dying. It just needed to be treated better. Piaggio's finances were in a bad shape, but its brand was still well-known and its products were featuring in more Hollywood films thanks to the Vespa ET4. In October 2003, Colaninno made an initial investment of 100 million euros through his holding company Immsi SpA in exchange for just under a third of Piaggio and the mandate to run it. Chief executive Rocco Sabelli, redesigned the factory to Japanese principles, and redesigned the factory so that every Piaggio scooter could be made on any assembly line.

Colaninno laid down some rules, and made quick changes: he didn't fire a single worker—a move which helped seduce the company's skeptical unions; all bonuses for blue-collar workers and management were based on the same criteria: profit margins and customer satisfaction. Air conditioning was installed in the factory, and he gave the company's engineers, who had been idled by the company's financial crisis, deadlines for projects. They rolled out two world firsts in 2004: a gas-electric hybrid scooter and a scooter with two wheels in front and one in back which grips the road better.

One of Piaggio's problems Mr. Colaninno couldn't fix from the inside was its scale. Even though Piaggio was the European market leader, it was dwarfed by rivals Honda and Yamaha Motor Company. A year after rescuing Piaggio, Colaninno decided to salvage another Italian brand: scooter and motorcycle maker Aprilia. On July 11, 2006, shares of Piaggio & Co., became available to the general public through listing on the Milan Stock Exchange or Borsa Italiana. Piaggio share prices, converted to US Dollars, may be found under the trading symbol: PIAGF.

Re-entry to North America

Piaggio first came back into the market in 2001 w/ the ET2 (two stroke 50cc) and ET4 (four stroke 150cc). In 2004, the PX (model year 2005) was re-introduced to North America to meet classic market demand. Growth in the US market and worldwide environmental concerns meant the need for larger and cleaner engines, so Vespa developed the LEADER (Low Emissions ADvanced Engine Range) series of four stroke engines. The larger Granturismo frame, with larger 12 inch wheels, was introduced to handle the additional power. The bike in 2006 spawned a GT250ie version, with an upgraded suspension and the new QUASAR (QUarter-liter Smooth Augmented Range) 250cc fuel injected engine, capable of 80+ MPH. In 2005, the ET was withdrawn from Europe and North America and replaced by a new small-frame scooter, the LX range. These were available in the USA in 50cc and 150cc versions, while Europeans could choose a 125cc.

Design Icon With its elegant lines and classic aesthetics, the Vespa is recognized as the epitome of Italian design. There is a dramatic increase in the number of urban commuters who have purchased new or restored Vespas. The difficulty of parking cars and the Vespa's low running costs are two reasons for this upswing in Vespa (and other scooter) popularity. The cultural use of the scooter as a recreational vehicle with a sub-culture following in the USA/Canada and parts of Europe & Japan. In contrast, the Vespa is considered a utilitarian vehicle for hauling products and sometimes up to 5 family members in much of Asia and Mexico

Vespa enthusiasts can visit the comprehensive Piaggio Museum & Gift Shop adjacent to the plant in central Pontedera, near Pisa, Tuscany. The permanent exhibition includes those items which toured prestigious venues such as the Guggenheim in New York and the Centre Pompidou in Paris. Also on display is, perhaps, the most famous Vespa of them all - the one personally customised by Salvador Dalí in 1962.

Global Markets Europe Vespa's largest market by all measures globally is still Italy, but as a result of the Mod (lifestyle) youth revolution of the 1960s, the United Kingdom is still Vespa's second largest global market - and at one point in the 1960s, its largest.

The appeal of the Vespa to the style conscious Mods was the weather protection - as opposed to their counterparts the Rockers, who rode classic British oily twins like Triumph Bonneville and Birmingham Small Arms Companys, and needed to dress up in leather against both the elements and their oily bikes.

Mods would modify their Vespas, adding lights, mascots, accessories, various racks and crash bars (profusions of mirrors were NOT a 60's fashion it became one after the realease of the quadrophenia album and film which featured scooters customised this way in the 70's). The whole phenomenon was dramatised with varying degrees of accuracy in Quadrophenia (film),the film based on The Who album of the same name.

The dominance of the Vespa declined through the 1970s, as small car ownership increased and cheap and reliable commuter bikes like the Honda Super Cub hit sales. Despite the introduction of the more modern 'P' range in the 70's however, the lack of development cost Vespa, and like other markets the sales fell off drastically in the economic boom 1980s. Then Vespa introduced the trendy automatic ET2, London introduced the London congestion charge - and partly with celebrity chef Jamie Oliver's indirect help from his BBC2 series - sales suddenly leapt. Vespa - it still has that buzz Sunday Times - March 13, 2005

North America Much as Vespa had used the Cushman Army scooter as inspiration for its original design, Vespa in turn also made scooters for Sears and Cushman post World War IIhttp://www.bulletproofscooters.com/pics/vs5.htm.

Imported by Morton Colby of the LLM Group , the Sears models were 3 and 4 speed 125 cc Vespas rebadged as Sears Allstate Cruiseaires. Innocenti also distributed their Lambretta (company) brand via Montgomery Wards catalogue at this post WWII period. These were the premier brands of scooters, bringing premium pricing to many, including farmers, whose link to the outside world was via purchases made in these catalogues. Cushman sold rebadged Vespa scooters as Cushmans, but many Cushman dealers refused to market a "foreign" machine. However, collectors prize the Cushman Vespa because it is relatively rare.

Bankruptcy of Vespa's American importer due to two expensive product liability lawsuits and increased competition from Japanese manufacturers caused a withdrawal from the US market in 1986.

Vespas would have completely disappeared from the American scene if it weren't for the enthusiasts who kept the vintage scooters on the road by rebuilding, restoring, and adding performance enhancing engine parts as the stock parts would wear out.

Vespa returned to the US market in 2001 with a new, more modern style ET series, in 50cc two and four stroke, and 150cc four stroke. According to the Motorcycle Industry Council, U.S. scooter sales increased fivefold over six years, swelling from 12,000 units in 1997 to 69,000 units in 2002. Vespa sales in the U.S. increased 27 percent between 2001 and 2002. The 65 "Vespa Boutiques" scattered throughout the U.S. gave scooterists a place to buy, service, and customize Vespa scooters, and outfit themselves in everything from Vespa watches and helmets to Vespa jackets, T-shirts, and sunglasses. Vespa restarted its American sales effort, opening its first boutique on Ventura Boulevard in Sherman Oaks, Calif.

In light of vastly increasing US sales, Vespa developed the GT, offered 200cc four stroke and a 125cc variant in Europe. In 2004 Vespa reintroduced a modernized PX 150 to the US. In the fall of 2005, Piaggio offered their largest Vespa scooter model ever, the 250cc engined GTS250 available in Europe with ABS.

Rest of world : Vespa in transport businessVespas acquired popularity beyond Europe and North America. In India, Piaggio transferred Vespa technology to Bajaj Auto. Bajaj used to sell in North America in the early 1980s but later withdrew from the market due to litigation threats from Piaggio.

Another Vespa clone producer in India was LML Motors. They were a large Piaggio parts provider and licensed to manufacture for the P series of Vespa scooters to the Asian markets. LML had manufactured a range of Vespa P series clones using their Piaggo/Vespa molds and machinery. Production of LML scooters has ceased after worker strikes and discontent at the LML factory progressed to a management lockout on March 7, 2006.

Racing In the 1950s and early 1960s, Vespa and Lambretta scooters were raced competitively against motorcycles, often winning the races. In the mid 1960s, motorcycle engines became larger and faster, and a gap was created — along with varying cc classifications. Since the 1980s, Vespa and Lambretta racing has grown into a serious sport in the United States. There are various classes in the United States, depending on the racing association. They are generally:

Vespas in popular culture Famous Vespa riders This is a list of famous people who have owned or ridden Vespas (not just for career or publicity purposes).



Fictional characters with Vespas and Audrey Hepburn in Roman Holiday (1953 film)..The first fictional character highly associated with Vespa to have mass public attention was American newspaper reporter Joe Bradley (Gregory Peck), in the Hollywood film Roman Holiday (1953 film). Arguably, the original attention was for Audrey Hepburn's character who as a passenger rode in Italian side-saddle style. The Vespa featured highly in publicity for the film, and in the original poster, assisting greatly in marketing of the brand globally.

Other fictional Vespa riders have included:



Films This is a list of films that feature a Vespa for more than one sequencehttp://www.vespamiami.com/vespa_history.shtmlhttp://vintagescooters.free.fr/english/movies1.htm:



Vespa Models There have been 138 different versions of the Vespa - today there are just four models in production: the classic, manual transmission PX; and the modern Continuously variable transmission LX, GT, and GTS.



Historic models

Recent models

Current models



Specials One-offs and special machines:

See also

References External links





Enthusiast sites

Scooter racing sites



Vespa scootering for UK enthusiasts by vespa.org.uk
An online place for Vespa enthusiasts to share news, photos, club dates, music tastes and discuss Vespa scootering in the UK.

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Vespa is an Italian line of scooters manufactured by Piaggio. The Vespa has evolved from a single model motor scooter manufactured in 1946 by Piaggio & Co.

Beedspeed Scooter Spares - Lambretta Vespa Automatic uk spares ...
Mail order scooter parts, accessories, tuning kits, custom parts, with worldwide delivery service, for all Lambretta, Vespa and modern scooters. Online catalogue.

 

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